Drawing is integral to my studio practice, functioning as a mode of enquiry and Towards the Invisible (2026) is an ongoing series of drawings that explores perception as an active and imaginative process rather than a passive recording of the world. Each drawing visualises an encounter with the changing sensory conditions of the studio, where subtle changes in light and sound are translated into marks and gestures. I prepare the paper with a soft layer of willow charcoal powder and I build up the surface using thin pencil strokes. I partially erase and redraw these pencil lines until they settle into a non-hierarchical field. In this way drawing becomes a process that foregrounds the act of perception itself and my intention is to invite uncertainty in the viewer.