Drawing is central to this work both as a material process and as a way of thinking. I consider how perception is formed and continually revised through mark-making, using willow charcoal power and pencil to create a surface in which marks are simultaneously accumulated and erased. Presented as a 3 x 3 arrangement, the nine drawings form a wall-like field that the viewer encounters as both image and boundary. The artwork invites sustained attention while remaining unstable, allowing drawing to become a means of testing what is known and what remains unknowable.

Perceptual Firewall (2026). A series of nine A1 drawings (each 59.4 x 84.1 cm) presented as single artwork in a 3 × 3 arrangement.